今天，我们生活在一个毫无想象力的“真空”里，每一栋建筑都是一座孤岛。而在“无界社区”的设想里，每一栋建筑都是一个社区营造的过程，参与性、公共性和联结性是“无界社区”的三个特性。首先，我们通过设计一种灵活的空间结构，让使用者可以真正地参与到这个空间的使用中来，从而激发了个体的创造力，使空间的功能可以按照使用者真实的需求来定义，无论是紫泥十二门里面的浴池坡道，还是文立方的中庭，又或者是“无界的墙”前面的消防车道；其次，我们通过“共享”的方式来模糊公与私的边界，增加公共性，像紫泥十二门里面街道化的玄关，文立方的空中走廊，以及竹丝岗“无界的墙”；最后，我们为不同的社群提供各种连接的机会，帮助促使社区融合，比如菜市场美术馆项目让摊主、社区居民、学生和艺术家一起共建城市的文化和空间，文立方也可以让平民化的市集开在全城最精英的社区。

Today, we live in an unimaginative "vacuum" where every building is an island. In an ideal "Boundless Community", every building is a process of community building, and participation, publicness and connection are the three key characteristics of such community. First of all, by designing a flexible space structure, users can really participate in the use of this space, thus stimulating individual creativity. The function of the space can be defined according to the real needs of users, whether it is the bath ramp inside the Zi Ni Twelve Gates, the atrium of Man Lap Fong, or the fire engine access in front of the Boundless Wall; Secondly, the boundaries between public and private is blurred by way of "sharing", hence increased publicness, such as the hallway cum street inside the Zi Ni Twelve Gates, the "midair corridor" of Man Lap Fong, and the Boundless Wall of Zhusigang; Finally, we provide various opportunities for different communities to connect with each other and help promote community integration. For example, the farmers market museum project allows vendors, community residents, students and artists to build the city's culture and space together; Man Lap Fong also gives access to flea market in the most elite community of the city.

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